| Issue | Title | |
| Vol 4, No 2 (2023) | FEATURES OF ENTERTAINMENT COLUMN OF HO CHI MINH CITY WOMEN'S ONLINE NEWSPAPER | Abstract PDF |
| Nguyen Thi Tuong Vy, Do Thi Xuan Quyen, Thai Cong Dan | ||
| Vol 5, No 1 (2024) | FEATURES OF THE LOVE OF TREES AND LAND PROGRAM OF CAN THO RADIO-TELEVISION STATION | Abstract PDF |
| Phan Thi Anh Thu, Do Thi Xuan Quyen, Thai Cong Dan | ||
| Vol 4, No 2 (2023) | FEMALE CHARACTERS IN NGUYEN HUONG DUYEN'S SHORT STORIES | Abstract PDF |
| Le Thuy Diem, Nguyen Bich Thu | ||
| Vol 2, No 1 (2019) | FEMMES DANS L’ART ET FEMMES ARTISTES DANS LE QUÉBEC CONTEMPORAIN / WOMEN IN ART AND WOMEN ARTISTS IN CONTEMPORARY QUEBEC | Abstract PDF |
| Marilena Genovese | ||
| Vol 5, No 1 (2024) | FORMES DE VIOLENCES À TRAVERS LE PRISME DE LA FICTION / FORMS OF VIOLENCE THROUGH THE LENS OF FICTION | Abstract PDF |
| Daniel Tia | ||
| Vol 2, No 2 (2020) | GENDER ROLE STEREOTYPING IN AMA ATA AIDOO’S CHANGES | Abstract PDF |
| Kwadwo Kombate, Prince Obeng-Himah, Bright Oppong Agye | ||
| Vol 3, No 1 (2021) | GENDER-BASED VIOLENCE IN AMA ATTA AIDOO’S NO SWEETNESS HERE | Abstract PDF |
| Kwadwo Kombate, Ali Moro | ||
| Vol 3, No 1 (2021) | HEDGED ASSERTIONS IN MOMADAY’S THE MAN MADE OF WORDS | Abstract PDF |
| Guillermo Bartelt | ||
| Vol 4, No 1 (2022) | I AND THEY (MINH VA HO) BY NGUYEN BINH PHUONG AND PARANOIA (HOANG TAM) BY NGUYEN DINH TU – FROM HAUNTING BY WAR | Abstract PDF |
| Pham Khanh Duy | ||
| Vol 2, No 1 (2019) | IMAGE BECOMES LANGUAGE: MEDIA AND CAPITALISM IN BARTHES’ RHETORIC OF THE IMAGE | Abstract PDF |
| Sadia Afrin, Sheikh Md. Muniruzzaman | ||
| Vol 2, No 2 (2020) | IMAGE BECOMES LANGUAGE: MEDIA AND CAPITALISM IN BARTHES’ RHETORIC OF THE IMAGE | Abstract PDF |
| Sadia Afrin, Sheikh Md. Muniruzzaman | ||
| Vol 4, No 2 (2023) | INTERPRETING THE LANGUAGE OF INFERENTIAL EPILEPSY IN EMILY DICKINSON’S POETRY | Abstract PDF |
| Gordon Shrubb | ||
| Vol 1, No 1 (2018) | INVOLVEMENT OF CREATIVE TECHNIQUES ON TEACHING FOREIGN LANGUAGES AND LITERATURE | Abstract PDF |
| Fernando Gonzalo Machado, Ricardo Nunez Montaldo | ||
| Vol 2, No 1 (2019) | KILLING COMMENDATORE IN-BETWEEN | Abstract PDF |
| Simber Atay | ||
| Vol 3, No 1 (2021) | KINSHIP AND POWER RELATIONSHIPS IN COON’S FLESH OF THE WILD OX AND THE RIFFIAN | Abstract PDF |
| Mohamed Saili | ||
| Vol 1, No 2 (2018) | L’INTERDIT DIVINISANT LA NORME : TRANSGRESSION ET CHATIMENT DANS LES ROMANS VILLAGEOIS DE CHINUA ACHEBE . PROHIBITED GLORIFYING THE STANDARD: TRANSGRESSION AND PUNISHMENT IN THE VILLAGE NOVELS OF CHINUA ACHEBE | Abstract PDF |
| Youssoupha Mané | ||
| Vol 3, No 1 (2021) | LES MÉTAMORPHOSES DU MOI DANS LA LITTÉRATURE SURRÉALISTE : ROBERT DESNOS NOUVELLES HÉBRIDES ET ROGER VITRAC CONNAISSANCE DE LA MORT | Abstract PDF |
| Bora Kuçuku | ||
| Vol 2, No 1 (2019) | LITERATURE AND FILM: THE CONTRADICTIONS OF THE HUMAN CONDITION IN THE ADAPTATION OF DOMINGO À TARDE, BY FERNANDO NAMORA – A JOURNEY TO QUESTION LIFE AND DEATH | Abstract PDF |
| Luis Cardoso | ||
| Vol 2, No 1 (2019) | LOCAL WISDOM VALUE OF BUBOHU BONGO CULTURAL TOURISM FROM FOLKLORE PERSPECTIVE | Abstract PDF |
| Moh. Karmin Baruadi, Sunarty Eraku, Fory Armin Naway, Novriyanto Napu, Syahrizal Koem | ||
| Vol 3, No 1 (2021) | LUTHER-DEUTSCH ALS "INGREDIENS" DER SPRACHLICH-ÄSTHETISCHEN GESTALTUNG VON GOETHES GÖTZ / LUTHER-GERMAN AS "INGREDIENT" OF THE LINGUISTIC AND AESTHETIC CONFIGURATION OF GOETHE’S GÖTZ | Abstract PDF |
| Franck F. S. Dovonou, V. C. Charlemagne Hounton, Apegnoyou Afanvi, Sylvie E. A. Adjeoda | ||
| Vol 5, No 1 (2024) | MAGICAL REALISM IN TONI MORRISON'S BELOVED | Abstract PDF |
| Manaar Kamil Saeed, Ali Khalid Almukhtar | ||
| Vol 3, No 2 (2022) | MAPPING THE BRAIN AND THE BODY: THE EXAMPLE OF GREEK AESTHETE NIKOLAOS EPISKOPOPOULOS | Abstract PDF |
| Eleni Mavroeidi | ||
| Vol 3, No 2 (2022) | METANARRATIVE FUNCTION OF ENTOMOLOGY IN ANTONIA SUSAN BYATT’S MORPHO EUGENIA | Abstract PDF |
| Lili Marinčić, Tamara Polić | ||
| Vol 4, No 2 (2023) | MIGRATION, IDENTITY AND RECONSTRUCTION OF FEMALE MIGRANTS’ EXPERIENCES IN CHIKA UNIGWE’S BETTER NEVER THAN LATE | Abstract PDF |
| Kufre A. Akpan, Monica Udoette | ||
| Vol 2, No 2 (2020) | MISAPPREHENSION AS A CROSS-CULTURAL EFFECT: A COMPARATIVE STUDY OF JOSEPH CONRAD’S HEART OF DARKNESS AND SAMMY OKE AKOMBI’S THE RAPED AMULET / LA MALCOMPREHENSION COMME UN EFFET DE CROISEMENT DE CULTURE: UNE ETUDE COMPARÉE DE HEART OF DARKNESS ECRIT DE JOSEPH CONRAD ET THE RAPED AMULET DE L’AUTEUR SAMMY OKE AKOMBI | Abstract PDF |
| Hergie Alexis Séguédémè | ||
| 26 - 50 of 93 Items | << < 1 2 3 4 > >> | |
Copyright © 2018-2023. European Journal of Literary Studies (ISSN 2601-971X / ISSN-L 2601-971X). All rights reserved.
This journal is a serial publication uniquely identified by an International Standard Serial Number (ISSN) serial number certificate issued by Romanian National Library. All the research works are uniquely identified by a CrossRef DOI digital object identifier supplied by indexing and repository platforms. All the research works published on this journal are meeting the Open Access Publishing requirements and standards formulated by Budapest Open Access Initiative (2002), the Bethesda Statement on Open Access Publishing (2003) and Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) and can be freely accessed, shared, modified, distributed and used in educational, commercial and non-commercial purposes under a Creative Commons Attribution 4.0 International License. Copyrights of the published research works are retained by authors.
