Christian Pagbe Musah


In 2016, a crisis broke out in Cameroon provoked by secessionist agitations in the two Anglophone regions of the North West and South West. It has variedly been referred to as the Anglophone Crisis or the Ambazonian War. The crisis has affected and threatened the unity, territorial integrity, social cohesion and le vivre ensemble in Cameroon. It has shattered the economy, destroyed schools, villages, infrastructures and businesses leading to mass displacement of persons to the Francophone regions and neighbouring Nigeria. In fact, the crisis has inflicted huge anguish and damages on the masses and has left the populations in very precarious conditions and misery that demand humanitarian actions to their rescue. Appeals have been made from several stakeholders both nationally and internationally pressing on the government to seek and implement lasting solutions to the crisis. Some musicians and song composers through musical activism added their voices to the calls for peace by articulating and conveying the misfortunes, despair, miseries and sufferings of the poor masses, victims of the war. This was exhibited in the music titles, the lyrics or messages they passed across, their grieving faces in the video grams and their tones that were telling and compelling as they expressed their lamentations. The musicians via musical activism regretted the war, begged for peace, unity, cease-fire and veritable actions in seeking lasting solutions to the crisis. This article attempts an analysis of the content and messages of some of these musicians revealing the desperation and gravity of the crisis in Cameroon.

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activism, Anglophone problem, Ambazonia, music, peace, secession, unity

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